To appreciate the intent of this collection, one must understand the impact Perkins had on the school. Perkins’ earliest appointments to the architecture program included Robert Geddes and Ian McHarg, who were joined within a half-decade by Louis I. Kahn, Romaldo Giurgola, and Robert Venturi. Under Perkins's leadership, the fine arts program was established as well as the Institute of Contemporary Art (1963), as were research institutes under the City Planning and Architecture departments. Doctoral programs were approved and, in 1958, the School of Fine Arts became a graduate division.
During his tenure, Perkins amassed a formidable collection of the monuments of architectural publishing, spanning six centuries, with works by Alberti, Scamozzi, Serlio, Vignola, Taut, Hitchcock, Wright, and Palladio, to name just a few. Today, the collection resides in a Fisher Fine Arts space dedicated to Perkins and is regularly consulted by faculty, students, and visiting scholars.
See this guide for information on how to access and use these materials.